Returning to ‘No Country’ …. It’s definitely something I’d consider once I’ve found a full-time job anyway. The Sheriff and Chigurh obvisouly never met. The Mexicans who kill Llewelyn Moss leave in a hurry and aren’t able to find the money. Ed was clearly fond of his father, especially the times they were both sheriffs. Blood Punch Explained (And Meaning Of The Ending), 48 Best Time Travel Movies Ranked By BaTTR Score, The Half of It: Identifying Oneself Before Finding The Better Half, I’m Thinking Of Ending Things: Explained Simply, Braid Movie Explained (Plot Analysis & Ending Explained). If they can help you get to where you want to be, let them. He was supposed to be a Nam’s Special Forces guy, and yet he’s killed like a roach. In the book she’s an underage hitchhiker. I think the inconsistency of Llewelyn’s decision making process can be seen through his actions regarding the injured driver at the site of the failed drug deal. which in this case, in the movie, we want to see the villain decapitated by a good humor truck while eating a slushie. Both Llewelyn and Anton get severely wounded. and each of us choosing our own interpretation of the ending of this movie is in fact vanity, the very thing the movie is about.
As we’re taken into the conversation, Chigurh gets annoyed with the fact that the shop owner repeatedly doesn’t seem to understand his questions. The penultimate scene shows our antagonist incapacitated by a car crash. To him, the present day evil in 1980 has morphed into a new breed, one that he cannot comprehend. Coins used as screwdrivers, and coins used to decide whether someone will live or die. i keep going back to the scene when bell and his deputy went in moss’ trailer. Nice article, I’m doing a paper on the ending of the film, I had to find an article and I found this.
Maximillian Kolbe ‘s life was ended in even more nihilistic circumstances. Dogtooth Ending Explained (With Plot Analysis), The Cloverfield Paradox (2018) : Movie Plot Ending Explained. Him interrupting the drug cartel shipments and hoarding the loot in a hidden floor, got him targeted by the worlds most notorious “special interest” group, one that is suspected of creating every war for the last 500years. He aint came to me yet, nor do i think he ever will. Last night I watched the film No Country for Old Men. Story revolves around three characters 1. Maybe it wouldn’t have had such a hypnotic effect on me if Llewelyn hadn’t been offed in such an indifferent manner – and maybe the Moss vs. Chigurh shootout wouldn’t be such a great scene if it were the first of many – but I can’t help but feel that they forsook perfection for unconventionality here.
Is infidelity the ultimate bc thats what took our star out of the show? It’s a fair interpretation – and a lot of people seem to go for it – but I think it’s more about Bell facing up to this fears and realising he’s not cut out for this job anymore.
“Once you quit hearing ‘sir’ and ‘ma’am’, the rest is soon to follow.”. Chigurh then just walks away. The movie then cuts to Sheriff Bell (Tommy Lee Jones), who retired following his failure to save Moss or recover the money. No, you’re missing the point about Chigurh: He didn’t =escape=. The movie starts with a murder of a police officer in a police station, probably a murder that the Sheriff projected as Chigurh. I understand that it is an interpretation – but I think there are others that make more sense, such as Chigurh being a figment of Bell’s imagination during the scene you mention. All three men walk back into crime scenes, a lot of the shots are the same, there’s echoes in the dialogue. Shows how stupidly cocky Wells is without giving away that he has no chance of catching Chigurh. He’s living on reputation – even if he is carrying it off very well. This is a great, albeit disturbing film… you connected the dots for me with your analysis.
Chigurh postures himself as holding the power of life and death. The story is absolutely about Sheriff Bell, and despite the fact that the majority of the action focuses on Llewelyn Moss, his story is really only a subplot. this is the room he was hiding in when he heard the sheriff pull up. The mountains represent the spiritual, where you go to find your vision. “You can’t stop what’s coming,” “All the time you spend trying to get back what’s been took from you, more is going out the door,” the emotionless unstoppable force who you’re “putting it up” against your whole life and who is guaranteed to get you in the end; all of that to me is about aging.
He is a Sheriff, he has power but he uses it sparingly or not at all to fight the evil that is out hunting. However, the other undeserving dead, the strangled deputy, the stun gunned driver and the pick up driver shot initially in the throat, serve to highlight Chigurh’s sadism. re; where’s the money…its clear no one is hiding behind the door when the sheriff swings it open. There was a comment by a guy named Kenny about 10 posts up that mentioned something totally puzzling to me that I almost forgot about while reading everyone’s theories…Carson Wells tells Steven Root’s character (I cant recall his name if he had one) that he counted the floors of the building they were in from the outside and one is missing. 1. Very little, if anything, in this movie is not economical, nor is anything not intended. His father is going ahead of him - his father preceded him in death - carrying fire, again mentioned twice, and described as "the color of the moon". A drug deal goes bad – an antihero stumbles upon the wreckage – he makes his choices – there are consequences. But it is not so much about him thinking the world has changed, as it is his inability to confront his own growing obsolescence as an aging man. One is a complete, dark shadow and the other is, oddly, mostly filled with light while still being distinct…this contrasts Bell and Chigurh, with the former being a good man who tries to help and save others while being unconvinced that he is up to the task or has any affect, while the latter is totally amoral and has no doubts about what he does. Llewelyn takes a stand against Anton, and by habit, we associate the opposite of Anton’s persona to Llewelyn. In this case those rules have been ignored and I think that is at the root of the film’s failings. This means that Bell represents a character displaced from an era in the Western where the old ideas of law enforcement or casualties no longer seem to apply. The woman says it again for us that nobody ever sees that.
Doesn’t make any sense and is highly unrealistic. At the beginning when Anton strangles the cop, who never sees him coming. One of the main themes in Cormac McCarthy’s “The Road” is the strength required to remain good in a corrupt world. Then again, it’s been over a year since I saw it. Out of interest, can I ask what you do now? But he’s no man of action, in fact, he’s always a step behind. So, too, the musings of the protagonist (Sheriff Ed Tom Bell) throughout the story show that he is living in and confronted by a "modern" world which holds no respect for traditional values - reason, respect for life, even common decency - a basis for law, which was present in the old days, why lawmen didn't need to carry guns 'back then'. If you can find meaning in a work of art, does it matter that the author never put it there? Then again, it could just be that he hasn’t realised the relevance of the second dream yet (so he’s just miserable about Moss and retirement, rather than the dream itself.). Speaking of death, what of Chigurh? And one would think that is what the theme is especially given the title, but it might not be. :) You mentioned that you are a slow reader but I wouldn’t let that put you off. These days, though, I renovate property in the Outer Hebrides and work as a guide during the salmon fishing season.
Nobody stops them. When Moss sees a coat he wants, he hands the boy on the bridge money–but the boy, in his greed, only wants more. If anyone, we could perhaps label him the ‘good guy’. The gunfire alerts Moss who retrieves the briefcase from the duct and escapes before Chigurh finds him. There seem to be quite a lot of interpretations for the Chigurh-Bell standoff, so I was thinking about writing a post on it sometime.
The crime you see now, it's hard to even take its measure. His dreams take him to a place where he has a chance to try to do more, but fails. I used Herzog’s line as a knowing nod to his fans – something which plenty of writers and artists do all the time. Most tragic dramas over the past two millennia have followed the Aristotelian principles of the Poetics, the reason being that they work! We tend to presume there’s this underlying simplicity to everything – but things may simply not be so. But let’s look at it from a different angle. The remorseless villain – Anton Chigurh is likewise the least straightforward than the bad guys of the old. This movie can be called a Neo-Western which reaches a very different conclusion and worldview. He escapes in a stolen police squad car but stops a random motorist along the way and politely asks him to step out …
My cars broken i know how to make you pull over.
Now, Anton is clearly labeled as the principal ‘bad guy’. Besides, there are plenty of instances where Anton could offer his victims the coward’s way out, but doesn’t. It only took 25 years to happen! Put yourself forward at every opportunity and don’t fear rejection. « Soup du Journalism. 'Bout the color of the The criminal organisation Stephen Root works for is on a floor which has been kept secret because of its illegal activities. A lotta folks find that hard to believe. Three perspectives. Glad you liked it anyway. It’s worth saying that the book has a different ending, where CJ gets the coin toss wrong and is killed, so maybe I’m reading into this a bit too much. He will arrive like the coin does. When the movie ended, I was like, “So, what’s the fricking point?” Had I read the novel, it would probably have made more sense to me. Very impressive and thoughtful. I have to ask “who cares?” though. Absolutely awful ending. Besides, art is all about the audience’s own interpretations.
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